4 October 2022

Homage to Koudelka

Exiles - Josef Koudelka

I had always thought this to be Josef's own arm, as he was staring down a Prague street in 1968 during the Russian invasion (hmm, history is repeating), but got suspicious when I decided to do a homage picture in Istanbul, because on all my attempts my arm invariably entered the frame from the lower left corner instead of the left edge, and also extended "into the space". Then I did some digging and found this Guardian article according to which it is indeed the arm of a passerby!

The watch happens to be a Raketa 2603, made in Saint-Petersburg. This webpage has a very nice montage of a Raketa 2603 with the original picture.

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To obtain a similar perspective and size of fist as that in Koudelka's photo I tried several different focal lengths between 24mm to 35mm on a 35mm camera at home. In the end I thought 28mm was about right. In an interview in one of his books Koudelka stated that he used an East German 25mm lens for his Gypsies series. That work was made in the 1960s, so I think it reasonable to assume that for the Prague photo he used the same 25mm. Maybe the Zeiss Jena Flektogon 25mm/f4 on an Exacta? Like this ?

Anyway, on the 13th March 2021, on a sunny but chilly day, I walked the streets of Istanbul with a 28mm on my camera and the purpose of doing a homage to a photographer whose work I come back to again and again. This picture from the single roll I exposed that day has had the staying power for me: 


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Dogfood, a zine that I love, called out to its readers a while ago and asked them to send their Koudelka re-enactments and published a wonderful selection in its 8th issue, from which I hope it's OK to show a couple of spreads:



As you can see, some of the arms do enter the frame from almost center left; and indeed one from the right! Have they all had a friend to pose? Were they all aware that, to remain faithful to the original, it had to be someone else's arm? Or are my arms too short? I feel there is a mystery out there.

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Some 20 years ago, I was desperately looking for a copy of Koudelka's Exiles. It was out of press and nowhere to be found. Then one day I was in Rome, walking the back streets, and entered a small bookshop...and to my delight found a brand new copy from an Italian publisher (Alinari). I bought it on the spot of course. The opening photo of Exiles is the '68 Prague picture, by the way.

I'd like to end with a lesson learned: books go out of print. When they are gone you might never find another one; at least for a reasonable price, because the prices of some will skyrocket (Amazon's algorithms probably have a hand in that as well). So, if you like a photo book and have the means, I strongly suggest you buy it while it is still in print.

3 comments:

  1. So many photographers so little time - a new name on me and I will investigate . . however you can get your arm entering from the centre of the frame - I used a 24mm Pre-Ai CRC Nikkor - worked well in this room - will try it out and about.
    As for photo books - totally agree - they vanish rapidly. I always scour charity shops over here, because you can sometimes grab a bargain or a surprise.
    Here's the best explainer about the algo-thingies:

    https://www.michaeleisen.org/blog/?p=358

    P

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  2. Thanks Phil. I’ll have another look with a 24mm.

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  3. I've checked the 24mm again. You see, it's quite easy with the arm close to the camera, but you also have to consider the relation and size of your arm & fist to the background. And to get the proper foreground/size/background relationship I have to extend my arm further away, which makes entering from center left rather difficult.

    The funny details we are talking about could get an outsiders eyes rolling quite vehemently :)

    Cheers

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